His review of the musical season of 1844, written in Paris on April 25, 1844, is the first place where he uses the term Lisztomania: Heine wrote a series of musical feuilletons over several different music seasons discussing the music of the day. The writer Heinrich Heine coined the term Lisztomania to describe the outpouring of emotion that accompanied Liszt and his performances. Liszt once threw away an old cigar stump in the street under the watchful eyes of an infatuated lady-in-waiting, who reverently picked the offensive weed out of the gutter, had it encased in a locket and surrounded with the monogram "F.L." in diamonds, and went about her courtly duties unaware of the sickly odour it gave forth. Some female admirers would even carry glass phials into which they poured his coffee dregs. Women would try to get locks of his hair, and whenever he broke a piano string, admirers would try to obtain it in order to make a bracelet. Fans would wear his portrait on brooches and cameos. Admirers of Liszt would swarm over him, fighting over his handkerchiefs and gloves. Liszt's playing was reported to raise the mood of the audience to a level of mystical ecstasy. Lisztomania was characterized by a hysterical reaction to Liszt and his concerts. This performance would later be marked as the beginning of Lisztomania, which would sweep generally across all of Europe after 1842. He later played his first recital in Berlin on December 27, 1841, at the Sing-Akademie zu Berlin to an enthusiastic crowd. That night, a group of thirty students serenaded him with a performance of his song "Rheinweinlied". Liszt arrived in Berlin around Christmas 1841, and word of his arrival soon spread. During this period, the first reports of intense responses from Liszt's fans appeared, which became referred to as Lisztomania. Scholars have called these years a period of "transcendental execution" for Liszt. This period was Liszt's most brilliant as a concert pianist and he received many honours and much adulation during his tours. In 1839, Liszt began an extensive tour of Europe, which he continued for the next eight years. As he grew older, Liszt continued to study and develop his expertise at playing piano. By age eleven, Franz Liszt was already composing music and appearing in concerts. Franz Liszt began receiving piano lessons at the age of seven from his father Adam Liszt, a talented musician who played the piano, violin, cello, and guitar, and who knew Joseph Haydn, Johann Nepomuk Hummel, and Ludwig van Beethoven personally.
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